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Thank you so much boss you just saved me hours of work

This worked amazingly well, thank you!!!! Spent the last 4 hours trying to figure it out in Premiere Pro CS6.

No related with these topic but I’m having difficulty having the same color on my final video compared to what I was seeing while editing

Fantastic! Saved my life, 5 years after hahah thank you!

I have 2 120c with the connector kit. Just used it on an interview campaign project, saved us so much time and allowed us to get the light close to the subject enough that I could compete with the sunlight in the back. Best investment I made light wise.

TXH!

Haleluja, man! This was driving me crazy as I didn't experienced this earlier. And suddenly one track audio went mono and I didn't have a clue. Thanks a lot, appreciated!

Helpful

When you talk about the Komodo having more dynamic range... On CineD, I've seen 12.5 stops for the Komodo and 12.6 for the Ursa G2. But I've already shot with the Komodo and loved it. I've never tried the Ursa but I have the Pocket 6K Pro. I also own the FX6 and FX3 at the moment, but I've never been really satisfied with the image quality compared to Blackmagic. So I thought I might sell the Sonys and get a Komodo (for commercials, music videos, gimbal shots-I like the modularity aspect) and an Ursa G2 (for documentaries and events). That being said I will miss the variable ND (from the FX6) and the full-frame sensor... But I hate the menus (FX3 and FX6), and I never really liked the image-it feels too "digital" compared to my Pocket 6K Pro and the Komodo that I rented for a music video. I found the image quality from the Komodo to be the best when I compare it to the cameras that I've tried (C200, C70, R5C, FX3, FX6, FX9, Pocket 6K Pro, GH6, EVA 1), but I do a lot of small documentaries and it's not really suited for that. So I was thinking of getting the Ursa for those projects.

E was insta spotted... LOL

Bro i have a PP 2017 crake version.... i edited my wedding caset inside and now i want to level the pitch of all the music clips... but in my PP 2017 Essential Sound Option is not showing not even the windows menu.... i searched for all penel in menu but i couldn't find ESSENTIAL SOUND.... I'm using it on my laptop i don't have dedicated graphics card so thats the problem?

Hello can you Show the config software. How you consig the NAS for Davinci Resolve. Because I have many issue for this config. I thnik many peaople have the same issue

I have a Canon FD SSC 50 F1.4 and it has red fringing down to around F8. Their F1.8 lens might be better. But for color pictures, especially in contrasty situations, it's an issue.

thx

so simple! thanks!

E is pretty obvious, and Im awaiting mine to arrive. what flare color is this one?

It could be useful to not only put the name of the lens, but which one.. Meike FF 50, there are a few.. Also from the Helios there are different versions of them and also the FD Canon. Or link them? Would be nice!

My guy 🙏🏿

Wonderful - resolved this frustrating issue so clearly in just a couple of minutes!!! So valuable

You should put the names in the description at least

this dont work now?

Thank you so much sir 😊🙏 its helped me on 8 july 2024😊❤️💯

Thank you so much!😀

TY very much it helped me

Poor Explanation of RAW format. This is not how it works lol.

Cool 🙌 i want to know one thing...that is like..so we need to color grade first all clips or later like after editing if we want to edit clips in after effects for some cool visual effect?

Thank you so much!

Thanks

OMG ,, this is very helpful a lot for me,,, thank you,,,,

radically simple and perfect for the job!

Straight forward and to the point. Thank you!

This video deserves more views! You've help me a lot. thank you so much for sharing!

Great tips, I'm editing my drum cam footage. Where the raw clips are an hour and a half a piece MAJOR time saver!

Un gros merci. Je commençais à m'énerver :)

Thanks fof your help.....this thing was making feel to go back to filmpra.....but just this video has made me felt so good. Thanks bro

the simple fixes are sometimes the most needed.. this helped my a lot ..Thanks and this is 2024

Can you convert it to .vlt file and use this LUT inside the Lumix S5iix camera?

This information is incorrect - you only have to set the colorspace/gamma if you want a different response or change from a different color space. Even in your demo here - when you go to the colorspace choices by default it is on "Use Timeline" - if your are in "Davinci Wide Gamut" the tool is colorspace aware and there would be no real reason to change it. Not sure you are telling people something correctly or they may interpret it incorrectly. HDR tool in Davinci Wide Gamut - the color space is large enough to accommodate almost any other space. If you worked in Display referred, ( which is not that common anymore ) and the timeline colorspace was rec709 or sRGB - then that might be a time to use the camera color space while using the tool. But in most cases if your color management is set up correctly - no need to change it. It is definitely not going to create any problems as described.

Oh my GOD thank you

Really looking awesome, amazing ❤ RED KOMODO FAVORITE ONE ♥️

still helps in 2024!!

Thank you! I’m a Premiere Pro user and this made total sense. I just didn’t know which lingo Resolve used. 🙏🙏🙏

thank you

hi, is a six-core i5 equivalent to a quad-core i7 ? thanks a lot !

stud finder 😂

Thank you very much

Thank you!!

The hours that a wasted on my first video lol, glad to know now.

Still works in 2024, thanx!

I don't understand...why would anyone extend a chroma key background? Wouldn't it be much easier to just mask out the talent, then key out the minimal amount of blue/green background? I have used this method to extend an actual set; which I believe is the general purpose of this method...click below to see if you can spot the set extension. ruclips.net/video/AbUcVJPDMhY/видео.htmlsi=EAs36cK9X9C6Vxw6&t=128